演唱民族声乐作品时的情感运用  

The Application of Emotion in Singing Folk Vocal Works

作　　者：黄振华[1] 

机构地区：[1]沈阳音乐学院民族声乐教育系,辽宁沈阳110168

出　　处：《沈阳教育学院学报》2009年第4期96-98,共3页Journal of Shenyang College of Education

摘　　要：阐述了情感表现的最高境界是"歌随心动";论述了歌唱者要达此境界的条件和方法;指出歌唱者不仅仅要具备演唱民族声乐的天赋——好嗓子,更重要的是具有较高地分析和理解作品的能力、较高的音乐素养、丰富的情感和丰富的想象力,对作品能进行二度创作,使自己的情感与作品的内容有机结合。只有这样,演唱才能声情并茂,感动听者,将听者完全融入音乐中。It is clarified that the highest state of emotional expression is “songs move with heart”. The conditions and methods for the singers to reach the state are discussed. It is pointed out that singers should not only have the talent to sing folk vocal music which is called good throat, what＇s more, they should capture high music literacy, rich emotion and imagination as well as the ability to analyze and understand the works, and could recreate the works and integrate their own emotion with the contents of the works to make the singing extremely rich and moving to attract the listeners completely.

关 键 词：以情带声 字正腔圆 情感 

分 类 号：G712[文化科学—职业技术教育学] J60-05[文化科学—教育学]