对“审美意识形态论”的再反思  

Reflections on Aesthetic Ideology

作　　者：王元骧[1] 

机构地区：[1]杭州师范大学中国美学与文论研究中心,浙江杭州310036

出　　处：《西南大学学报（社会科学版）》2009年第5期160-165,共6页Journal of Southwest University(Social Sciences Edition)

摘　　要："审美"与"意识形态"两者既可兼容也可排斥,把审美与意识形态相融合,使意识形态的一般理论与文艺的特性相融而在文艺理论中找到了自己真正的落脚点;把对文艺的理解从认识论推进到文艺价值论维度,从普遍性层面推进到特殊性层面为止,还不足以构成对文艺性质的完善的认识,必须在现有研究基础上进一步向"文艺本体论"、"人学本体论"研究推进。把对文艺形式和技巧方面研究的成果,整合到"审美意识形态论"的理论建构中来,也是十分必要的。Rather than exclusion, the relationship between Aesthetic and Ideology are compatible. On the one hand, when the both come together, because of the characteristics＇ integration, the normal theory of ideology can find its real foothold inArts theory; on the other hand, if someone just promotes the recognition of arts to the arts values, namely, from normal level to something especial, he is far away from forming a complete idea about the nature of arts which must lead to some further advancement that means deeper research about Arts ontology or Human ontology. It is important to apply the accomplishments in art forms and skills to the theoretic construction of aesthetic ideology.

关 键 词：意识形态 审美意识形态 文艺本体论 人学本体论 

分 类 号：I06[文学—文学理论]