文学与电影文本《色·戒》之批判与反思  

Criticizing and Reflection on the Film and Literary"Color·Caution"

作　　者：寇国庆[1,2] 倪相群[3] 

机构地区：[1]蚌埠学院,安徽蚌埠233000 [2]南京师范大学,江苏南京210097 [3]蚌埠第一中学,安徽蚌埠23300

出　　处：《绥化学院学报》2010年第4期134-136,共3页Journal of Suihua University

摘　　要：张爱玲小说《色·戒》寄托了作者的身世之叹与末世情怀,强调人物面对命运的无奈与历史的虚无,是个人主义在乱世与民族困境面前的困惑;李安的电影《色·戒》则呼应时代话语深入发掘女性在传统文化中的命运,传达了对传统男权文化与意识形态以及集体无意识的批判,是当下语境中的个体话语诉求的折射。然而作为关照的客体,小说与电影文本《色·戒》的出世,都必须放在具体历史语境下加以批判与反思,以揭示它们的思想误区。The novel ＂Color ？ Caution＂ leave with Zhang Ailing＇s life experience and mood of doomsday,stress the Helpless and nothingness when facing the fate,this is bewilderment of individualism in a troubled and confused nation.An Lee＇s film ＂Color ？ Caution＂ is echoed the discourse of the age and explore the fate of wom-en in the traditional culture,criticize the traditional male culture,ideology and the collective unconscious,it is the refraction of the individual demands in the immediate context.However,as the object,the film and literary ＂Color ？Caution＂,must to be criticized and reflected under the specific historical context,to reveal their thinking errors.

关 键 词：《色·戒》 传统文化 个体话语 集体主义 批判反思 

分 类 号：I01[文学—文学理论]