梁启超与朱光潜美学之比较  

A Comparison of Liang Qichao and Zhu Guangqian's Aesthetic Thoughts

作　　者：宛小平[1] 

机构地区：[1]安徽大学哲学系

出　　处：《安徽大学学报（哲学社会科学版）》2010年第5期23-27,共5页Journal of Anhui University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金项目(06BZX069)

摘　　要：近现代中国美学大家中,梁启超"人生生活于趣味"的人生观,朱光潜主张"人生的艺术化",二者在理趣上是一致的。梁启超倡导的"新文体"和朱光潜对未来"新文学"的思考在方向上也是一致的。他俩都不偏废文言,而主张以生命情趣为本体,把白话文造就成一种既有文言的凝炼,又有欧思的畅达和谨严的文字。无论是梁启超还是朱光潜,他们的文学革命都是来自于生命情趣本体的外化,"新文体"和"新文学"都是"人生生活于趣味"和"人生的艺术化"人生观的体现。Liang Qichao thinks that the meaning of life lies in taste and Zhu Guangqian insists that life can be artful. Based on similar aesthetics mentioned above, they both call out for literary revolutions as reflections of their philosophy of life. Liang Qichao advocates ＂new style＂, while Zhu Guangqian proposes ＂new literature＂. They both acknowledge the importance of classical Chinese and uphold the art of life as the foundation. Thus, vernacular Chinese can be established, which encompasses the brevity of classical Chinese and the fluency and strictness of European language.

关 键 词：梁启超 朱光潜 人生观 趣味 情趣 白话 文言 

分 类 号：B259.1[哲学宗教—中国哲学] B261