论汉语写作中虚静观与主体写作心理的关系  

On the Relationship between one’s Writing Psychology and the View of Illusion and Stillness in Chinese Writing

作　　者：吴怀仁[1] 

机构地区：[1]陇东学院中文系,甘肃庆阳745000

出　　处：《甘肃高师学报》2010年第3期47-50,共4页Journal of Gansu Normal Colleges

基　　金：甘肃省高等学校研究生导师科研项目"庆阳古代战争文学与民俗研究"(项目编号:0610-01)成果;陇东学院科研基金项目资助成果(项目编号:XYSK0607)

摘　　要：写作心理是写作主体进行写作活动时的心理活动规律与特征,体现了由原始、无序的写作对象或材料经过写作主体的心理活动转化为初步有序的写作主体意识,再转化为有序地用恰当的语言与文体表现写作成品——文本的过程,体现为写作主体在写作活动中直觉的敏锐,想象的飞升,灵感的活跃。这就要求写作主体必须有一个最佳的写作心理状态,而这种心理状态也正和道家所言的虚静观相契合。道家虚静观中有形生于无形、有声源于无声的思想,体现了写作乃是一个由无到有的过程的思想观念,也体现了写作主体不受任何主客观因素的干扰,专心致志的精神状态。文章对于道家的虚静观对汉语写作的影响从虚静观与写作主体自由想象的关系、虚静观与写作主体直觉的关系、虚静观与写作主体灵感的关系、虚静观与写作主体的审美指向与意象创造的关系四个方面进行了论述。Writing psychology is the laws and characteristics of writers’principal psychological activities at the time of writing,which reflects the original and disorder writing material or object transferred first through writers’psychological activities into the preliminary mental activity in an order way,and then into the orderly finished products by using appropriate language and writing style-the process of text writing,and also reflects writers’sharp intuition,soaring imagination and active inspiration.This requires writers to have the best psychological state of writing that is similar to Taoism’s view of illusion and stillness.In Taoism’s view,the idea of seeing from the invisible and hearing from the silence embodied that writing is a process from nothing to something,The article discusses the influence of Taoism’s view of illusion and stillness on Chinese writing from the relationship between Taoism’s view of illusion and stillness and writers’free imagination,intuition,inspiration and aesthetic point and image creation.

关 键 词：汉语写作 虚静观 写作心理 灵感 审美指向 

分 类 号：H05[语言文字—语言学]