于赓虞诗学理论平议  

On Poetic Theory of YU Gengyu

作　　者：王丽耘[1,2] 吴华南[2] 

机构地区：[1]福建师范大学,福建福州350007 [2]上饶师范学院外国语学院,江西上饶334000

出　　处：《上饶师范学院学报》2010年第4期62-66,共5页Journal of Shangrao Normal University

摘　　要：在中国现代诗歌发展史上,于赓虞是一位被忽视的诗人和诗论家。他短短十年创作诗集达七部之多,并形成了自己完整、系统的诗学理论。生命诗学,艺术诗学,诗与灵感及修改,诗与科学,诗的静境,诗的读者鉴赏以及理论自身的遮蔽性七大内容构成了其诗学理论的主体。它经历了萌芽、自觉化、系统化与科学化以及修正与完善四大阶段,最终发展形成为理论体系。于赓虞的诗学理论对当时中国诗学观进行了有力的补正,意义重大。In the history of the development of Chinese modern poetry,YU Gengyu is a poet and poetic critic who has long been neglected.In a decade of 1924-1934,he had created seven poetical works and successfully developed his own integrated and systematic poetic theory which mainly discussed the following seven aspects： poem for life,poem for art,poem,inspiration and correction,poem and science,poem in serenity,poem and reader criticism and the veil of theory itself.The poetic theory finally framed a system undergoing four stages： embryonic stage,conscious stage,systematic and scientific stage and modification and perfection stage.This theory of Yu Gengyu is of great significance since it effectively supplemented and emendated the Chinese poetics views at that time.

关 键 词：于赓虞 诗学理论 补正 

分 类 号：I206.6[文学—中国文学]