《淮南子》审美思维对民族审美范型的影响  

The Impact of Aesthetic Thinking in "Masters of Huainan" on the Paradigm of National Aesthetics

作　　者：方国武[1] 

机构地区：[1]安徽农业大学人文社科学院,安徽合肥230036

出　　处：《合肥师范学院学报》2011年第1期74-79,共6页Journal of Hefei Normal University

基　　金：安徽省哲学社科规划项目"<淮南子>审美文化研究"(AHSK07-08D65)

摘　　要：《淮南子》建构起和谐统一的民族审美思维模式,它实现了对中国传统儒道审美思维的超越。一方面,这种审美思维模式对后来的中国传统经典的文化理想建构影响深远;另一方面,《淮南子》审美思维模式引导中国传统文人对一种完美的人生境界的追求,以陶渊明、苏轼为代表,在后世文人的人格建构中历时推衍。＂The Masters/Philosophers of Huainan＂ is a second century BC Chinese philosophical classic from the Han dynasty that blends Taoist,Confucianist,and Legalist concepts,including theories such as Yin-Yang and the Five Phases.The work helped establishing the harmonious national aesthetic thinking mode that attempted to achieve the excellence of the traditional Confucian aesthetic thinking mode.This aesthetic thinking mode has created far-reaching impact on the construction of cultural ideal of the traditional Chinese aesthetic thinking;at the same time,it guided the traditional Chinese scholars＇ pursuit of the perfect realm of life.

关 键 词：《淮南子》 审美思维模式 文化经典 人格理想 

分 类 号：B234.4[哲学宗教—中国哲学]