菩提心与圆融自在——牟宗三《佛性与般若》的美学向度  

On the Aesthetic Dimension in Mou Tsung-san's Buddha-nature and Prajna

作　　者：唐圣[1] 

机构地区：[1]湛江师范学院人文学院,广东湛江524048

出　　处：《安康学院学报》2012年第4期27-33,共7页Journal of Ankang University

基　　金：教育部人文社会科学研究西部和边疆地区项目"牟宗三美学的自由观念研究"(10XJC720003)

摘　　要：牟宗三在《佛性与般若》一书里,所描述的佛菩萨境界是一菩提心即寂即照的圆融无碍的自由状态,从美学视域来看,亦是一审美境界的极致状态。天台圆教系统所彰著的相而无相无相而相的圆融义理,是探索建构实践-修证美学系统重要的思想资源。In Buddha-nature and Prajna, what Mou Tsung-san describes as the state of Buddha and Bodhisattva is freedom of perfect penetration without obstruction of silent and luminous Bodhicitta. According to the aesthetic dimension, this state is the ultimate state of aesthetic. Perfect and harmonizing philosophical connotations of nimitta with animitta and animitta with nimitta what perfect and harmonizing doctrine system of Tien Tai Sect highlights will be an important theoretical resources for exploring and constructing aesthetic system of practice-realization.

关 键 词：牟宗三 佛性 般若 实相 无相 一念三千 审美愉悦 

分 类 号：B26[哲学宗教—中国哲学]