美是理念的直观显现——黑格尔美学的现象学阐释  

Beauty as the Intuitive Presentation of Idea:a Phenomenological Interpretation of Hegel's Aesthetics

作　　者：苏宏斌[1] 

机构地区：[1]浙江大学中文系

出　　处：《文艺理论研究》2013年第3期180-188,共9页Theoretical Studies in Literature and Art

基　　金：国家教委人文社会科学跨世纪优秀人才培养计划基金资助;为"审美直观与艺术真理"问题研究(项目批准号[NCET-10-0738])的中期成果

摘　　要：黑格尔的美学观来自于他的艺术观,他的艺术观又来自于他的艺术类型观和艺术史观。他的艺术类型观违背了他的逻辑原则,他的艺术史观又不符合艺术史的历史实践,因此他的美学观是站不住脚的。另一方面,黑格尔在精神哲学中提出了一种智性直观的思想,这种认识能力能够产生一种普遍表象。我们认为,这种普遍表象实际上就是处于直观状态的理念,这意味着理念可以借助于直观直接显现出来。由此出发,就可以把黑格尔的命题改写为"美是理念的直观显现"。由于艺术是直观活动的集中体现,因此成了把握真理的根本方式,黑格尔用哲学取代艺术的观点自然就站不住脚了。Hegel＇ s aesthetic view derives from his view of arts, which grows out of his views of art typology and art history. How- ever, his views of art typology contradict his logic principle, and his views of art history contradict the historical practice of art history, and Hegel＇ s aesthetic view is therefore seriously undermined. On the other hand, Hegel＇ s idea of intellectual intuition proposed in philosophy of mind may serve as a cognitive ability and produce a general representation. This representation, we be- lieve, is actually idea in its intuitive state, which means that idea can be directly presented by way of intuition. In this light, He- gel＇ s proposition can be rephrased as ＂Beauty is the intuitive presentation of idea. ＂ Given that art is the embodiment of intuitive activity, art becomes the fundamental way to grasp the troth. It follows naturally that Hegel＇ s effort to replace art with philosophy cannot hold ground.

关 键 词：理念 智性直观 艺术终结论 

分 类 号：B83-0[哲学宗教—美学]