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作 者:任莺[1]
出 处:《丽水学院学报》2013年第6期49-54,共6页Journal of Lishui University
摘 要:意境理论是我国传统诗歌美学中的独特概念,包含着丰富的美学内涵。在其形成过程中,无论是早期对意、言、象关系的探讨,还是意境论的最终确立,都深受道、禅哲学的影响。由于古代文人浸润在儒道佛思想环境中,加之艺术美感的诞生与悟道的境界有许多相通之处,所以诗歌意境往往追求超尘脱俗的道家审美理想,故而诗人的"道心"是诗歌意境美表现的思想根源。The poetic theory of Yijing is an unique concept in our traditional art aesthetics and has profound and complicated connotation. From the discussion of meaning, words and symbols to its final foundation, its formation was deeply influenced by Taoism and Zen Buddhism. As the ancient Chinese poets used to be indulged in Taoist and Zen philosophy, their poems seeks for Taoist ideals of serenity and detachment because the process of creating poetic beauty is similar with enlightenment. Therefore, the ideological resource of poetic theory of Yijing lies in the spirit of Taoism.
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