北朝道教仪式音乐研究  

Daoism Ritual Music in Northern Dynasty

作　　者：蒲亨强[1] 李劲松[1] 

机构地区：[1]西南大学音乐学院,重庆400715

出　　处：《艺术百家》2014年第3期131-134,共4页Hundred Schools In Arts

摘　　要：本文依据原始文献资料研究以北魏寇谦之天师为代表的北朝新天师道仪式音乐实践,发现寇天师虽然大力倡用诵经乐章改革旧天师道仪式,也编创了多种斋仪和个别乐章及一些音乐术语,但其仪式音乐的实际内容却相当单调贫乏,虽较汉魏略有进展,但却远逊于同时期的南朝灵宝派仪式音乐,其对后世的影响也微乎其微。由此表明,以往学术界对北朝仪式音乐的高度评价需要重新审视和认定,方可反映道教仪式音乐的真实历史进程。Based upon original literature, taking Kou Qianzhi as the representative, we study the new Daoism ritual mu sic practice. We find that he created kinds of fasting rituals, and a few musical terms, but the actual content of ritual music is considerably dull. Although it had made a little progress compared to Han and Wei dynasty, it was much infe rior to ritual music of Lingbao School of Southern dynasty. So, it had exerted very little impact upon later generations. Therefore, we should re inspect and re affirm the ritual music in Northern dynasty so as to reflect the true historical advancement of Daoism ritual music.

关 键 词：音乐艺术 北朝 道教 寇谦之 仪式 音乐文献 

分 类 号：J60[艺术—音乐]