艺术家死亡意识的美学体现  

The Aesthetic Presentation of Artists' Awareness of Death

作　　者：马建高[1] 

机构地区：[1]盐城师范学院中文系,江苏盐城224002

出　　处：《盐城师范学院学报（人文社会科学版）》2001年第3期64-69,共6页Journal of Yancheng Teachers University（Humanities & Social Sciences Edition)

摘　　要：人类对于死亡的关注 ,可以说是历史久远的。且不谈生物学、医学、遗传学等自然科学 ,就是古老的哲学、伦理学、历史学、语言学乃至于新近成熟的人类学、神话学、文化学、心理学等不同时期发展起来的诸种人文学科都不同程度、不同视角地涉及死亡这一人的存在的终极问题。Human attention to death is as long as the history of man. Ancient philosophy, ethics, history, linguistics, even anthropology, mythology, culturology, and psychology, humanistic disciplines that matured only recently, have touched upon death-an ultimate issue man has to face-from different perspectives and to different degrees, let alone biology, medicine, genetics and other natural sciences. This article looks into the influence of the awareness of death upon artists in terms of their comprehension and aesthetic presentation in their artistic creation.

关 键 词：艺术创作 艺术家 死亡意识 死亡意境 虚无 审美选择 美学体现 

分 类 号：I01[文学—文学理论] J01[艺术—艺术理论]