符号论美学:艺术形式的诗学研究  

Semiotic Aesthetics: Poetic Study on Forms of Art

作　　者：程小平[1] 

机构地区：[1]北京青年政治学院教育系,北京100102

出　　处：《阴山学刊》2001年第4期8-12,共5页Yinshan Academic Journal

摘　　要：从俄国形式主义学派到英国形式主义美学,20世纪关于艺术形式的诗学研究十分活跃,既有其价值也存在缺陷。以朗格为代表的符号论美学,对贝尔未能回答的意味与形式统一的问题做出了较圆满的回答。但由于朗格关于情感的解释过于理性化,不可避免地有趋向于保守的一面。From the Formalism School of Russia to the formalistic aesthetics of Britain, the poetic study on art formswas active in the 20th Century, which was significant on one hand, but had some defects on the other. The SemioticsAesthetic represented by Longor replied the unification of meaning and forms a bit consurmmately which was not explainedby Bell. However, too reasonable in explaining emotion, Bell trended to be conservation inevitably.

关 键 词：符号论美学 形式主义 朗格 意味 情感 艺术形式 诗学研究 生命 

分 类 号：I01[文学—文学理论] I024