论微型小说的审美场及其创设  

On Aesthetic Fields of Miniature Novels and Their Establishment

作　　者：韦妙才[1,2,3,4,5] 

机构地区：[1]钦州师范高等专科学校中文系 [2]审美场 [3]张力 [4]美感 [5]创设

出　　处：《佛山科学技术学院学报（社会科学版）》2002年第1期32-37,共6页Journal of Foshan University(Social Science Edition)

摘　　要：微型小说是以微小的篇幅叙述细小的生活片断来揭示深刻的思想主题，善于以各种“审美场”　引起读者美感的文学样式；“审美场”是审美主体与审美对象相吸相引、相聚相合、相容相汇、同构同化的最佳审美现象与最佳审美境界。审美主体、审美客体和时空环境是它的三个要素。而微型小说以审美场见长。Through describing trifle life in a short body, a miniature novel can expose a profound theme. It is a kind of literary style that can stimulate readers＇ aesthetic feelings through various 'aesthetic fields'. The aesthetic subject, object and temporal-spatio-environment are its three major components. The first two attract each other, combine with each other, melt with each other, co-construct and assimilate each other, thus establish the 'aesthetic field'and the best aesthetic world. The miniature novels are renowned for their 'aesthetic fields'.

关 键 词：微型小说 审美场 美感 张力 创设 

分 类 号：I054[文学—文学理论]