晚清桐城文章新范式——再论梅曾亮古文创作  

The New Paradigm of Composition of the Tongcheng School in the Late Qing Dynasty:Mei Zengliang's Classical Composition Revisited

作　　者：萧晓阳[1] 

机构地区：[1]中南民族大学文学与新闻传播学院,湖北武汉430074

出　　处：《苏州大学学报（哲学社会科学版）》2014年第6期132-138,200,共7页Journal of Soochow University(Philosophy & Social Science Edition)

基　　金：国家社会科学基金项目"现代性视阈中的近代桐城派诗文研究"(项目编号:09BZW044);教育部人文社会科学重大攻关项目"中国文学谱系研究"(项目编号:11JZD034)的阶段性成果

摘　　要：梅曾亮是道咸文坛之宗匠,古文以清新峻逸的气象展现了桐城古文新体式:记叙之文引入传奇之笔,曲折多姿的情节赋予了文章浓郁的抒情性;论辨之文时杂以骈偶,文辞的变幻造就了不凡的气势;写景之文融入了诗的意境,清新自然的景致增添了文章的情韵。其文中深蕴小说弹词笔意、骈俪文辞波澜及宣城体诗歌情韵,成为岭西清新自然的写景之文、湘乡笔力雄健的经世之文及京师安雅峻洁的情韵之文的先导,是桐城派古文向近代散文嬗变的标志。Literary master during the period from roughly 1821 to 1861,Mei Zengliang initiated a new paradigm of the Tongcheng School with his freshness and novelty because he introduced into his narrative prose a style of romance,hence rich lyricism; into his polemical essays couplets,hence amazing power; into his landscapedescriptive prose evoked ideo-mood-imagery(yijing),hence unique flavor and artistic aura.All this,with a touch of the novel,of storytelling(to the accompaniment of Kunqu opera),of antithetical couplets,and of the Xuancheng-style lyricism,preceded the fresh landscape-descriptive prose of Lingxi,the powerful political essays,and the simple and refined lyrical writings of Beijing.

关 键 词：梅曾亮 传奇 骈偶 诗境 古文 

分 类 号：I207.22[文学—中国文学]