论“缘情绮靡”生成的历史文化语境  

On “Emotiveness and Gorgeousness” in the Historical and Cultural Context

作　　者：刘运好[1] 段梦云[1] 

机构地区：[1]安徽师范大学文学院,安徽芜湖241000

出　　处：《苏州大学学报（哲学社会科学版）》2015年第1期150-157,192,共8页Journal of Soochow University(Philosophy & Social Science Edition)

基　　金：国家社科基金项目"魏晋经学与诗学关系研究"(项目编号:08BZW032)的阶段性成果

摘　　要："缘情绮靡"是陆机诗学思想的核心,也是历来评价最为歧异的诗学范畴。如果从历史文化语境的角度考查,"缘情"指诗歌的发生过程,"绮靡"是诗歌的审美特征;在理论内涵上,"缘情"是情、志、理的统一,"绮靡"是文辞、音韵、情感的统一。不仅"缘情"说深受佛教"格义"的影响,而且"绮靡"说也烙有佛典文风以及梵呗经音的深刻印记。"缘情绮靡",既植根于魏晋诗学,包涵着对缘诸生命冲动之情的肯定,也凸显了诗歌风格华美,音调圆润,标志着"文学自觉"的深化,且深刻影响了南朝诗学。'Emotiveness and gorgeousness', which advocates creating gorgeous and dulcet poetry with emotionoriented awareness, is the core of Lu Ji's poetics. It remains one of the most ambiguous poetic categories in China. From a historical and cultural perspective, 'emotiveness' combines sense and aspiration with sensibility, and displays the generation of poetry. Likewise, 'gorgeousness' accommodates literary grace, rhyme and emotion, and shows the aesthetic characteristics of poetry. Both 'emotiveness' and 'gorgeousness' were inspired by Buddhism. This category, rooted in the Wei and Jin dynasties, contains an affirmation of the urges of life, and highlights stylistic and rhythmic beauty, marking further 'awareness of literature', and therefore, influenced the literature of the Southern Dynasties.

关 键 词：陆机 缘情绮靡 佛教 历史文化语境 

分 类 号：I0[文学—文学理论]