论“绘事后素”的中和美及其当代意义  

On Aesthetic Neutrality of“Confucian Ultimate Simplicity and Chastity of Painting”and its Contemporary Significance

作　　者：孙琳[1] 张昭兵[2] 

机构地区：[1]四川大学文学与新闻学院,四川成都610064 [2]西南科技大学文学与艺术学院,四川绵阳621010

出　　处：《乐山师范学院学报》2015年第1期123-127,共5页Journal of Leshan Normal University

摘　　要："绘事后素"出自《论语·八佾》子夏与孔子论诗,后世对其有多种阐释。文章立足于前人研究成果,进一步探究"绘事后素"的本义,并结合孔子的诗教、礼教思想,分析其蕴含的中和美及其当代审美意义。＂Confucian Ultimate Simplicity and Chastity of Painting＂is from Confucius Bayi in The Analects. Later generations have a variety of interpretation on it. Based on previous studies,this article explores the original meaning of ＂Confucian Ultimate Simplicity and Chastity of Painting＂. Through combining the Confucius＇ poetics and ethical moralization,it analyzes the aesthetics of neutrality and its significance in contemporary aesthetics.

关 键 词：绘事后素 论语 诗教 礼教 中和美 当代审美 

分 类 号：I01[文学—文学理论] J201[艺术—美术]