从“身体映像”到“身体哲学”——秦汉身体哲学的建构理路与诠释范式探析  

From “Body Image” to “Body Philosophy”

作　　者：王传林[1] 

机构地区：[1]北京师范大学哲学学院

出　　处：《哲学分析》2016年第2期87-99,共13页Philosophical Analysis

摘　　要：在中国传统语境中,人之身体由内而外所呈现的"身体映像"是哲学建构的重要诠释范式之一。诸多思想家以此为基点,近取诸身,远取诸物,展开诸多经典命题的重新阐释与哲学体系的创建。可以说,正是在对"身体映像"的观照中,秦汉之际的哲人们建构了与众不同的"身体哲学";试图以源于身体认知的经验理性去弥合天人之间的距离,从而达到对天与自然的深度体认与把握。因此,他们通过"身体映像"类比出"天地映像",提出了"同气"、"同数"与"同构"等具体诠释范式,完成了身体哲学的体系化建构。这一点,无论是在道家作品《淮南子》那里,还是在儒家作品《春秋繁露》那里,乃至在黄老作品《黄帝内经》中,均有较为明显的表现。In Chinese traditional context, the human body presents the 'body image' from inside to outside that is one of the important interpretation paradigm of philosophy construction. Many thinkers on this basis, nearly taken from the body, far from the objects, created the interpretation of many classical propositions and philosophy systems. That is say, in view of 'body image', philosophers in the Qin and Han Dynasty constructed out of the ordinary 'body philosophy', and trying to bridge the distance between man and nature by body recognition from experience and reason, so as to achieve the deep recognition and grasp to the day and the nature. Therefore, through 'body image' analogy 'world image', they put forward the specific interpretation paradigm of 'same Qi', 'same number' and 'same structure' and so on, completed the systematical construction of the body philosophy. Whether in the Taoist work Huainan Zi or in the Confucian work Chunqiu Fanlu, even in the Huang-Lao work Huangdi Neijing, this point has its obvious manifestation.

关 键 词：秦汉哲学 身体映像 身体哲学 同气 同构 同数 

分 类 号：B232[哲学宗教—中国哲学]