“滔滔不绝”的俗世喧嚣——莫言小说论兼及“乡土”叙事姿态的文学史考察  

Noisy Secular Life Described in “a Flood of Words”:An Examination on MO Yan's Novels,as well as an Inquiry into the Narrative Attitude for Local Society from the Perspective of Literary History

作　　者：俞敏华[1] 

机构地区：[1]浙江师范大学行知学院

出　　处：《华东师范大学学报（哲学社会科学版）》2017年第4期36-43,共8页Journal of East China Normal University（Humanities and Social Sciences）

摘　　要：莫言在处理小说和世界的关系时,找到了一条独特的路径:感觉化和高密东北乡是他的写作出发点;复调、多维、以人物立场为中心而拒绝鲜明的价值评判是他偏爱的发声方式。面对藏污纳垢的世界,莫言选择了用掺杂着幽默、狂笑、悲悯等种种情感的狂言乱语来解释,以"众声喧哗"的多义多解来呈现,以来自人性深处的欲望和迷恋来诉说。因此,莫言小说语言的滔滔不绝与俗世的闹腾间产生了超乎寻常的形式意味,在小说的喧闹中,有了一个善良、邪恶、爱、恨、悲、喜杂糅的世界。这种方式正是在一个浮躁而又无法安稳的现实社会背景下,莫言从感觉出发,以小说的形式给了当代中国一个展示的舞台。这种展示,也使得莫言的小说,在面对中国乡土的种种恶与困顿时,建构了一种新的站立于中国老百姓的生存状态中的书写立场。MO Yan has found a unique narrative way to deal with the relationship between novels and the world:His novels start from sensations and his hometown Gaomi;he prefers polyphony,multi-dimensions and characters'positions and rejects distinct value judgments.Facing a world that shelters evils,MO Yan explains it with frantic words of humor,laughter and compassion,represents it with'noisy'ambiguity and describes it with deepest desires and passions.Therefore,MO Yan's novels are formally characterized by'a flood of words'and the hustle and bustle of the secular life,revealing a world of kindness,evil,love,hate,sadness and joy.It is in this way that MO Yan starts from sensations and sets up a stage for modern China against the realistic social backdrop of fickleness and unease.This shows that MO Yan's novels choose to describe the living status of China's common people in Chinese rural society,which is encountered with evils and predicaments.

关 键 词：莫言小说 感觉化 俗世 滔滔不绝 

分 类 号：I207.42[文学—中国文学]