六朝咏物诗意象思维的空间性  

The Spatial Characteristics of Imagery Thinking in the Object-chanting Poems of the Six Dynasties

作　　者：钟志强[1] 

机构地区：[1]南昌师范学院中文系,江西南昌330032

出　　处：《南昌师范学院学报》2017年第5期98-102,共5页Journal of Nanchang Normal University

基　　金：江西省社会科学研究"十二五"规划项目"汉魏六朝咏物诗及其诗学思想研究";编号:15WX21;江西省高校人文社会科学研究项目"六朝咏物诗人意象观史论";编号:ZGW1518

摘　　要："意象"是诗学研究的基石。而六朝咏物诗对其中心物象的全方位描摹(即中心意象)蕴含了创作者丰富的文学思想,学界对此却鲜有涉及。通过对魏晋及南朝前、后期咏物诗创作的比较后认为,六朝咏物诗意象空间观念经历了一个"创作视角由宏观到微观而诗人之意与艺术形象从疏离到融合"的过程。在这一演变过程中,南朝后期的咏物诗人通过增加拟物之情和艳情、想象等虚写来增加意象的空间张力。Image is the cornerstone of poetic research. The Object-chanting Poems of the Six dynasties,which contain rich literary thoughts of creators. However,the academic research on this topic is less involved. By comparing the creation of the Object-chanting Poems between the Early of Six dynasties and Later one,this article holds that,the spatial characteristics of imagery thinking in the Object-chanting Poems,which experienced a process from the macro perspective to the micro,and the image from the alienation to fusion. In the course of this evolution,the Object-chanting poets in the late Southern Dynasty increased the spatial tension of imagery by adding virtual objects,erotic scenes and imagination.

关 键 词：六朝 咏物诗 中心意象 空间性 

分 类 号：I207.2[文学—中国文学]