寓意劝谏:中国古代戏曲理论的历史演变  

作　　者：祁志祥[1] 

机构地区：[1]上海政法学院应用社会科学院

出　　处：《河北学刊》2018年第6期111-118,共8页Hebei Academic Journal

摘　　要：戏曲理论是对戏曲创作进行理论性思考的结晶。中国古代戏曲经过北齐歌舞戏、唐代参军戏和傀儡戏及宋代杂剧，到元代出现了杂剧创作的繁荣，明代则出现了传奇创作的高潮。与此相伴，戏曲批评在隋唐至宋元之际应运而生，从萌芽走向奠基。到明代出现了本色派、情趣派、折中派的论争，探讨戏曲创作的特殊审美规律，将戏曲理论推向繁盛。清代曲论继承明代戏曲评论的成果，达到中国古代戏曲理论集大成的最高峰。In 2008,I first published the"Eleventh Five-Year Plan"national-level guide textbook of Ancient Chinese Literary Theory,which is a symbolic event of systematization and discipline of ancient Chinese literary theory.The whole book is divided into three parts:literary concepts,creative process and literary methodology,which construct a national literary theory system with expression of feelings and meaning as the main content.Ten years later,the book was revised and published in 2018.On the basis of the original work,we added the development and evolution of various literary theories.This group of special discussions is the new achievement of this study.The following papers have launched the pursuit and analysis of the historical context of various literary theories and their characteristics of the times,which has important reference value and enlightenment significance for people to grasp the evolution process of ancient Chinese literary theory as a whole.

关 键 词：古代戏曲理论 中国古代戏曲 历史演变 劝谏 寓意 戏曲创作 杂剧创作 传奇创作 

分 类 号：I207.3[文学—中国文学]