论“空灵”范畴的审美机制与艺术呈现  

The Aesthetic Mechanism and Artistic Presentation of the Category of “Etherealness”

作　　者：王中栋 WANG Zhongdong(Chinese Department,East China Normal University,Shanghai 200241)

机构地区：[1]华东师范大学中文系

出　　处：《江汉学术》2020年第2期88-99,共12页JIANGHAN ACADEMIC

基　　金：国家社科基金艺术学重大项目“中华美学与艺术精神的理论与实践”(16ZD02)

摘　　要："空灵"在道、佛、玄哲学思想相互渗透的过程中具有部分的一致性,它作为感性生命的直觉体悟,不仅是主体虚静心境的外在显现,更是主体对隐逸自由的精神诉求。"空灵"既是一种艺术形态,又是一种审美境界。它在生成之时,便凝结着中国古人继往开来的审美趣味和生命意识,是主体在审美观照中所获得的一种超时空的审美体验,进而彰显了中华民族独特的美学与艺术精神。"Etherealness"is partially consistent in the process of cross-infiltration of Taoism,Buddhism,and metaphysics.As an intuitive understanding of perceptual life,it is not only the external manifestation of the subject’s empty and quiet state of mind,but also the subject’s spiritual pursuit of seclusion and freedom."Etherealness"is both an art form and an aesthetic realm.At the time of its creation,it condenses the aesthetic taste and life consciousness of the Chinese ancients.It is an aesthetic experience of the subject in aesthetic consideration,which in turn highlights the unique aesthetic and artistic spirit of the Chinese nation.

关 键 词：空灵 空灵美 审美机制 空灵境界 诗性思维 

分 类 号：J01[艺术—艺术理论] I01[文学—文学理论]