中国悲剧观念的人类学基础  

Anthropological Foundations of Chinese Conception of Tragedy

作　　者：王杰[1] 石甜[2] WANG Jie;SHI Tian(Center for Contemporary Marxist Aesthetics,Zhengjiang University,Hangzhou 310007,China;School of Humanities,Shanghai Jiaotong University,Shanghai 200030,China)

机构地区：[1]浙江大学当代马克思主义美学研究中心,杭州310007 [2]上海交通大学人文学院,上海200030

出　　处：《学习与探索》2021年第3期145-150,180,共7页Study & Exploration

基　　金：国家社会科学基金重大项目“当代美学的基本问题及批评形态研究”(15ZDB023)。

摘　　要：在世界美学话语系统中,“中国文化缺乏悲剧观念”的观点仍占主导,国内外学者对中国悲剧观念及其表达机制缺乏系统而深入的研究。社会的现代化过程充满着悲剧性、异化和价值断裂。中国在现代化发展进程中,传统遭遇现代、个体陷入异化等等,形成了中国现代化过程中的悲剧观念。本文旨在抛砖引玉,就中国悲剧观念的学理、界定、文化基础、理论内涵与外延等方面作初步探讨。In discourse systems of world aesthetics,the viewpoint that“Chinese culture lacks the conception of tragedy”still dominates.Scholars at home and abroad lack systematic and in-depth research on Chinese conception of tragedy and its expression mechanisms.The modernization process of society is full of tragedy,alienation and value fracture.In the process of China’s modernization development,tradition encounters modernization and individuals are involved in alienation,etc.,forming the conception of tragedy in the process of China’s modernization.The paper aims to make a preliminary discussion on the doctrine theory,definition,cultural foundation,and theoretical connotation of Chinese conception of tragedy.

关 键 词：现代悲剧 悲剧观念 悲剧人文主义 审美现代性 审美人类学 

分 类 号：I0[文学—文学理论] B83[哲学宗教—美学]