圈层叠合:婚姻圈中的绣娘流动与苗族刺绣基因传递  

THE OVERLAP OF CIRCLES:THE MARRIAGE MIGRATION OF EMBROIDERY WOMEN AND THE GENETIC TRANSMISSION OF MIAO EMBROIDERY

作　　者：王庆贺[1] 柏贵喜[2] Wang Qinghe;Bai Guixi

机构地区：[1]中南民族大学 [2]中南民族大学民族学与社会学学院,湖北武汉430074

出　　处：《广西民族研究》2021年第4期116-125,共10页GUANGXI ETHNIC STUDIES

基　　金：国家社会科学基金重大项目“南方少数民族手工艺资源体系与基因要素图谱研究”(17ZDA166)。

摘　　要：技法和纹样构成刺绣的文化基因,二者的纵向传承和横向传播促成刺绣文化基因的传递。在清水江苗族地区,绣娘作为刺绣的创作主体,其流动通常由婚嫁引发并在特定的通婚圈内进行。附着于创作主体的刺绣技法和纹样伴随绣娘的流动而发生位移,并受到通婚圈的影响而呈现刺绣文化圈与婚姻圈叠合的现象。Techniques and patterns constitute the cultural genes of embroidery,and the verti⁃cal and horizontal transmission of the two promotes the cultural genetic transmission of embroidery.In Qingshui River Miao area,embroidery women are the producing subjects of embroidery,and their migrations are usually caused by marriage and conducted in specific intermarriage circles.The embroidery techniques and patterns attached to the producing subjects are shifting with the migra⁃tions of embroidery women and influenced by the intermarriage circles,thus presenting the overlap⁃ping phenomena of the embroidery culture circle with the marriage circle.

关 键 词：圈层叠合 婚姻圈 绣娘流动 苗族刺绣 基因传递 清水江流域 

分 类 号：C95[社会学—民族学]