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作 者:阮丽萍[1] RUAN Liping(School of Journalism and Communication,Sichuan International Studies University,Chongqing 400031,China)
机构地区:[1]四川外国语大学新闻传播学院,重庆400031
出 处:《渭南师范学院学报》2022年第10期24-29,共6页Journal of Weinan Normal University
基 金:湖北省教育厅人文社会科学研究项目:儒家天下观与国家认同(20Y118)。
摘 要:《史记》的创作,既是一次大规模存史的努力,更是一次中华传统文化的传播实践。历史学是人类文化的重要载体,从这个角度看,司马迁的修史实践有着重要的传播学意义:《史记》的成书动机,体现着司马迁的人内传播思想;《史记》成书后“藏之名山”且沉寂多年的反传播现象,体现着司马迁作为史家的“史识”和人际传播思想;《史记》的历史书写,体现着司马迁在修史实践中的忧患意识,呈现出现代新闻人的历史身影,实现了作为承续道统之“士”的身份认同。The compilation of Historical Records is not only a great effort to preserve history on a large scale,but also a communication practice of Chinese traditional culture.History is an important carrier of human culture.From this perspective,Sima Qian’s practice of compiling history is of great significance to communication.The motive of compilation of Historical Records embodies Sima Qian’s thought of intra-personal communication.After finishing the book,Sima Qian hided it in a famous mountain and kept it silent for many years,which was an anti-communication phenomenon that reflects Sima Qian’s view on history and interpersonal communication as a historian.Historical Records reflects Sima Qian’s sense of hardship in his practice of compiling history,presents the historical figure of modern journalists,and realizes his identity as a“scholar”who inherits the tradition.
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