审美人类学的历史视野与批判精神  

Historical Vision and Critical Spirit of Aesthetic Anthropology

作　　者：范秀娟[1] FAN Xiujuan

机构地区：[1]广西民族大学文学院,广西南宁530006

出　　处：《思想战线》2022年第6期135-142,共8页Thinking

基　　金：广西民族文化保护与传承研究中心项目“壮美广西的历史底蕴与当代表征”阶段性成果(2020KFZD08)。

摘　　要：审美人类学对美的历史性理解,一是指美是在具体的历史情境中发生的;二是指历史是美的发生基础和氛围;三是指美之为美的观念会随着时间的变化而变化,从而呈现出鲜明的历史感。“羊大为美”和“羊人为美”代表了两种典型形态的审美人类学:一种是侧重生活感觉的审美人类学,一种是侧重文化仪式的审美人类学,两种形态的审美人类学都批判了美与日常生活的疏离。审美人类学的历史视野和批判精神赋予了其整体性美学和反思性美学的品格。in the historical vision of aesthetic anthropology,beauty is understood to mean,firstly,that it is the product of a given historical context;secondly,that history is the basis and milieu that shapes the notion of beauty;thirdly,that the notion of beauty changes with time,so that it often gives one a sense of history.In the Chinese language,the combination of the characters for"lamb"and"big"means"beauty",so does the combination of the characters for"lamb"and"man",but they represent two types of aesthetic experience:one emphasizes sensual perceptions of daily life,the other stresses the cultural and ritualistic quality of life.Both represent a criticism of the alienation of beauty from life.The historical vision of aesthetic anthropology and its critical nature imparts on aesthetics a holistic and reflective quality.

关 键 词：审美人类学 历史视野 批判精神 

分 类 号：B83[哲学宗教—美学]