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作 者:李震[1] Li Zhen
机构地区:[1]陕西师范大学文学院
出 处:《中国文艺评论》2024年第9期71-83,I0003,共14页China Literature and Art Criticism
基 金:2019年度国家社科基金重大项目“数字媒介时代的文艺批评研究”(项目批准号:19ZDA270)的阶段性成果。
摘 要:21世纪以来数字媒介的高速发展和日趋智能化,使媒介越来越成为文艺创作生产和文艺批评的决定因素。媒介的强力介入对传统文艺批评的基础理论构成了冲击,也为文艺批评的学术建构提供了新的机遇。媒介视角和媒介理论与传统文艺批评要素、基本逻辑和学术资源的深度融合,已成为智媒时代文艺批评学术建构的重要基础,不仅将使媒介批评成为文艺批评的主流方法,也将使各种传统文艺批评实现媒介化转向,由此形成文艺批评新的学理生成逻辑,在意义发掘、价值阐释、分析与阐释方法以及主体重构等方面实现系统性的学术建构。The rapid development and increasing intelligence of digital media have made the media more and more a determining factor in the production of literary creation and literary criticism since we entered the 21st century.The strong intervention of the media constitutes an impact on the basic theories of traditional literary criticism,and also provides new opportunities for the academic construction of literary criticism.The in-depth integration of media perspective and media theory with the elements,basic logic and academic resources of traditional literary criticism has become an important foundation for the academic construction of literary criticism in the age of smart media,which will not only make media criticism become the mainstream method of literary criticism,but also make all kinds of traditional literary criticism realize the media-oriented turn,thus forming a new logic of generating theories of literary criticism,and realizing systemic academic construction in the aspects of meaning discovery,value interpretation,analysis and interpretation methods,as well as subject reconstruction.
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