论空灵之美的哲学根基及其精神归往  

On the Philosophical Foundation of Ethereal Beauty and Its Spiritual Destination

作　　者：张晚林[1] 

机构地区：[1]湖南科技大学哲学系,湖南湘潭411201

出　　处：《美育学刊》2013年第5期58-69,共12页Journal of Aesthetic Education

基　　金：教育部人文社会科学研究规划基金项目<中国古典美学的实践智慧研究>(11YJA720037)的阶段性成果之一

摘　　要：空灵之美并非只是一种纯粹的艺术技巧,而是有其深厚的精神文化根基。空灵来源于德性圆满的自足生活,而这种自足生活的根基即在良知之虚灵明觉,故良知奠定了空灵之美的基础。从这种精神根基出发,即可解明艺术的精神归往在灵现大道。由此,又可对"情景交融"及美育问题作进一步的辩难与纠正。诗的评价尺度不是"情景交融"而是灵现"大道",美育亦不在培养人之自由精神而在人之神性。因为圣人是那唯一的诗人,圣人的生活是那首唯一的空灵的诗。Ethereal beauty is not just a purely artistic technique, but is deeply rooted in a spiritual culture. It comes from a life of virtuous self-sufficiency the basis of which is intuitive knowledge; therefore it is intuitive knowledge that lays the foundation of ethereal beauty. In this light it is understood that the spiritual destination of art is the ＂Great Way of intuitive intelligence＂. In the same vein, we can debate and correct the proposition of ＂blending feelings and the setting＂ and other aesthetic issues. The measure of poetry is not ＂blending feelings and the setting＂ but the ＂Great Way＂ of intuitive intelli- gence. Nor is the aim of aesthetic education to foster a free human spirit, but the divinity of man, because saints are the only poets whose life is the only poem conveying ethereal beauty.

关 键 词：空灵 良知 大道 情景交融 美育 

分 类 号：B83-05[哲学宗教—美学]