层次视域下微观诗歌异质同构之研究  

A Microcosmic Study on Heterogeneous Isomorphism of Chinese Poetry Based on Theory of Levels

作　　者：沈佳怡 张志勇[1] SHEN Jiayi;ZHANG Zhiyong(School of Chinese Language and literature,Hebei University,Baoding Hebei 071000,China)

机构地区：[1]河北大学文学院,河北保定071000

出　　处：《乐山师范学院学报》2024年第1期48-54,共7页Journal of Leshan Normal University

基　　金：国家社科基金一般项目“唐前颂赞文体研究”(19FZWB066)。

摘　　要：20世纪西方美学思想中的“完形”意识锻造了一种具有现代视界的审美经验,格式塔为心理学以外的艺术领域提供“异质同构”的解释,将之引入诗歌领域,意味着诗歌创作主体、作品与欣赏者之间存在同构而诞生了同构美学下的文学价值。此一研究为当代学者探微古典诗歌提供新途径。在中国古典诗歌这一范围内,此种视界并不仅限于宏观,各个场域之间仍有微观的同构现象。传统的格式塔文学研究因泛论而存在无法自洽的疏漏,若引之探讨中国古典诗歌,则有成素情感的产生与发展、投射意象与平衡、语言系统与效率等问题亟待解决。Gestalt psychology created the modern appreciation of beauty in western aesthetics in the twentieth century,providing an explanation of heterogeneous isomorphism for art fields other than psychology.If we lead this theory into poetry studying,it will mean that literary value could appear among the writer,works and appreciator under the affection.This study will provide a new way for Chinese classical poetry exploration.Actually,heterogeneous isomorphism exists in both macroscopic and microscopic vision,as well as each area.Traditional study in gestalt literature is limited in its general terms,and it still has some problems,including occurrence and development of emotion,image cast and its equilibrium,linguistic system and efficiency,if we take it into the area of Chinese classical poetry.

关 键 词：完形 同构 场域 微观 古典诗歌 

分 类 号：I052[文学—文学理论]